BioGeometry, the design language of shapes, is the proprietary science4 of using the energy principles of BioGeometry to amplify an energy quality manifest in nature that is found in the centers of all energy patterns of shape. This subtle energy quality is at the core of the forming process in nature, and is responsible for maintaining the harmony within energy structures of all systems (animate and inanimate), and providing balance among the different manifest energy qualities of the components of the overall patterns of that system (Fig. 6).
In BioGeometry, we have developed proprietary shapes and design principles that we use to replicate and amplify this highly beneficial natural subtle energy quality. The shapes interact with the body’s own surrounding energy fields, according to the natural laws of harmonics and resonance to introduce the energy quality balancing effect to the body’s subtle energy system, and the harmonization of energy interactions with the environment. In order to understand how the application of the science of BioGeometry can harmonize the energy qualities of the environment, we have to shift into the BioGeometry Qualitative Worldview.
The BioGeometry worldview is a synthesis of the energy qualities of a space, it encompasses what we can and cannot perceive; it is a holistic view that does not differentiate between what is visible and what is not. This outlook is based primarily on practical measurements of the energy quality of interactions according to an abstract Physics of Quality, and applied according to a sophisticated system of BioGeometry Harmonics, which integrates the metaphysical with the physical, the material with the spiritual, and the sensory with the extra-sensory, in a harmonious unity.
BioGeometry is a science of quality. When we speak about a science of quality, we are referring to a science which studies how different things affect each other on an unperceivable, subtle energy level. Qualities have traditionally been seen as subjective as in the fields of Humanities and Arts. In the science of BioGeometry, we show an inner level to qualities that can be used in an objective, scientific manner.
Qualitative scales of measurement
The scientific study and application of quality is based on Qualitative Scales of Measurement. What we mean by qualitative measurements can best be understood if we take an analogy from cooking; for example, a recipe might say a quarter teaspoon of salt; that’s quantitative. Our taste buds react and send an impulse to the brain and we say, “too salty”, that is qualitative criteria. All sensory perceptions of color, sound, smell, and touch are based on qualitative measurements. Although these qualities manifest in different forms with each sense and beyond, they are based on the same set of subtle energy effects that we can regard as the abstract universal qualities at the core of each sense. We can then use color, sound, touch, etc…, as a scale to express the abstract transcendental qualities beyond their respective ranges in all vibratory ranges, whether perceived or not. In this way, everything in the universe can be categorized according to those abstract transcendental universal qualities (Fig. 7). Thus they become scales of qualitative measurement.
The units of a scale of quality are not abstract quantitative values, but qualitative attributes based on unperceived, yet viable effects on subtle energy systems. In order to study the effect of these unperceived attributes on energy systems, we need to choose an attribute that manifests within our perceptual range and beyond.
If we take colors for example, we perceive a range of colors between red and violet. We know, however, that on different frequencies that we cannot perceive, there are ranges of what we call ultraviolet and infrared. Modern technology has made us able to use these unperceived frequencies. These attributes, whether they are color, music or others, follow the natural laws and have a scale that manifests within our perception; but as qualitative measurement scales, they can also be applied beyond their respective ranges to represent abstract universal qualities that manifest throughout the vibratory ranges. Similarly, we can have scales derived from other qualitative attributes (Fig. 8).
Different cultures and traditions typically choose different scales, like different languages. We have qualitative scales based on polarity (like in the Chinese yin-yang), and others based on qualities related to the earth magnetic coordinates and expressed as the five elements of the Chinese Bagua (compass), or the four elements found in many other traditions.
