Sexist Interpretations of Femininity

 
Throughout the rest of this chapter, when I refer to “femininity” or “feminine traits,” it should be understood that I’m talking about a heterogeneous, non-female-specific collection of traits that each have a unique biological and/or social origin. In fact, the only quality that all feminine traits share is that they all tend to be associated with women (albeit not exclusive to them). This point becomes highly relevant once we begin to consider how people interpret feminine traits. Indeed, the ongoing and hotly contested debates over whether femininity and masculinity are biological or social in origin have, in my view, served primarily as a distraction from a far more pertinent issue—namely, what meanings, symbolism, and connotations do we assign to different gender expressions? While I disagree with the notion that gender expression itself is entirely social in origin, I do believe that the way we perceive and assign values to feminine and masculine behaviors is primarily, if not exclusively, a social affair. In our male-centered culture, two forces most often shape our interpretations of femininity (as well as masculinity): oppositional and traditional sexism.
Oppositional sexism functions to legitimize feminine expressions in women and to delegitimize feminine expressions in men (and vice versa for masculinity). So while all people are capable of expressing feminine traits, oppositional sexism ensures that such expressions will appear natural when produced by women and unnatural when produced by men. In addition to creating the perception that female femininity is “real” and “right” while male femininity is “fake” and “wrong,” oppositional sexism may also influence the “doing” of gender expression. Exceptional gender expressions are regularly dismissed, even stigmatized, in our culture, which may lead some people to hide or curb their own gender-variant behavior, further exaggerating the assumed, apparent differences between the two sexes. In these ways, oppositional sexism creates the assumption that feminine traits—which occur in members of both sexes—are inexorably linked to female biology, and therefore, to one another.
Traditional sexism functions to make femaleness and femininity appear subordinate to maleness and masculinity. This is accomplished in a number of ways. For example, female and feminine attributes are regularly assigned negative connotations and meanings in our society. An example of this is the way that being in touch with and expressing one’s emotions is regularly derided in our society. While this trait has virtually nothing to do with one’s ability to reason or to think logically, in the public mind, being “emotional” has become synonymous with being “irrational.” Another example is that certain pursuits and interests that are considered feminine, such as gossiping or decorating, are often characterized as “frivolous,” while masculine preoccupations—even those that serve solely recreational functions, such as sports—generally escape such trivialization.
In addition to placing inferior meanings on feminine traits, traditional sexism also creates the impression that certain aspects of femininity exist for the pleasure or benefit of men. Take, for example, the concern for, or desire to help, others. While those who have this quality of empathy or altruism often express it toward all types of beings (i.e., children and adults, strangers and friends, animals and humans), it’s often recast in women as a maternal, “nurturing” quality that is meant to be directed primarily toward one’s family. Thus, this thoroughly human trait has been twisted into the expectation that it’s women’s “natural” duty to take care of their male partners and children, and to carry out the bulk of family and domestic chores.
Another example of this phenomenon is the way that feminine self-presentation is often framed as though it solely exists to entice or attract men. This assumption denies any possibility that those who are feminine might wish to adorn themselves for their own benefit or pleasure. After all, feminine self-presentation tends to highly correlate with a more general desire to surround oneself with beautiful or aesthetically pleasing objects and materials—whether in decorating one’s home or adorning one’s body. The idea that this trait exists primarily to pique men’s interest seems unlikely to me, as most straight men I know seem rather disinterested in the way their homes are decorated, and often are completely oblivious when their female partners don new outfits or hairstyles. It’s safe to say that most heterosexual men are far more interested in women’s physical bodies than they are in the clothing and accessories that cover them. The idea that feminine self-presentation exists primarily to attract heterosexual men is further undermined by the fact that femme dykes dress in a feminine manner despite their disinterest in attracting men. And some gay men also dress very femininely despite the fact that the gay male community has a history of idolizing and fetishizing hypermasculine images and bodies rather than feminine ones. As someone who’s not interested in attracting men, I often enjoy dressing femininely; I simply feel more alive and self-empowered when I do. Whenever people (male or otherwise) assume that women who dress in a feminine manner do so in order to elicit male attention, it always sounds like a slightly toned-down version of that arrogant claim that women who dress provocatively are somehow asking to be raped. Clearly, it’s the idea that feminine self-presentation exists for men’s benefit that is oppressive to women, not the acts of self-presentation themselves.
The issue of feminine self-presentation also brings up another way in which feminine traits are undermined: They are often cast as being dependent on masculinity and maleness. This sentiment seems to be projected onto virtually all aspects of femaleness and femininity. It can be seen in the way men are often cast as the “protectors” of women, either because they are typically physically stronger or because women are seen as being “emotionally frail.” The stereotypic and mythic image of the damsel in distress who requires a masculine man to save her seems to impart an air of helplessness, fragility, and passivity onto virtually all aspects of femininity and female sexuality. Such connotations seem to heavily inform both the materiality and symbolism of certain feminine fashions. They also help foster a predator/prey mentality regarding sexuality, where femininity becomes conflated with being sexually receptive and passive, while masculinity is synonymous with penetration and sexual aggressiveness. This, of course, denies the reality that women are often sexual initiators and that both parties are invariably active during the act of sex.
Indeed, the fact that helplessness, fragility, and passivity are merely meanings projected onto female bodies and feminine expressions (rather than qualities that are “built into” femaleness and femininity) becomes obvious when we imagine what would happen if, instead of centering our beliefs about heterosexual sex around the idea that the man “penetrates” the woman, we were to say that the woman’s vagina “consumes” the man’s penis. This would create a very different set of connotations, as the woman would become the active initiator and the man would be the passive and receptive party. One can easily see how this could lead to men and masculinity being seen as dependent on, and existing for the benefit of, femaleness and femininity. Similarly, if we thought about the feminine traits of being verbally effusive and emotive not as signs of insecurity or dependence, but as bold acts of self-expression, then the masculine ideal of the “strong and silent type” might suddenly seem timid and insecure by comparison.
The mistaken belief that femininity is inherently helpless, fragile, dependent, irrational, frivolous, and so on, gives rise to the commonplace assumption that those who express femininity are not to be taken seriously and cannot be seen as legitimate authority figures. While such assumptions regularly undermine feminine people of both sexes, they often have a greater net effect on women, because traditional sexism targets female bodies as well as feminine expression, and because traditional and oppositional sexism act together to put women in a double bind: If a woman acts feminine, she will be delegitimized by traditional sexism, and if she acts masculine, she will be delegitimized by oppositional sexism.