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Hi. I'm Jesse Alexander,

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and thank you for supporting this companion episode of glory and defeat.

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In this week's regular episode, we mentioned newspapers.

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Let's take a closer look at the war reporters and war artists,

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who accompanied the German armies.

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Their job was to paint their side in the best possible light for posterity,

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Nonetheless, the technical artist in him, saw things differently.

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"The sun laughed so freshly and cheerfully over all this atrocity.

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The most disgraceful thing,

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groups of bodies were strewn about in such a deliciously picturesque way,

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that one could not and would not stop drawing."

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Pietsch's descriptions of the effects of modern war,

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foreshadow the apocalyptic scenarios of a later industrial war in 1914-1918.

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Thanks for supporting glory and defeat.

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I'll see you next week.
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even while the battles were going on.

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This was a particular concern of Prussian crown prince Friedrich Wilhelm.

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He gave information and special passes to

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famous artists like Georg Bleibtreu and Emil Hunten,

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and writers like Gustav Freytag.

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Irish Times journalist and famous Crimean war correspondent,

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William Howard Russell,

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also enjoyed the crown prince's protection,

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since he wanted favorable coverage abroad.

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Berlin writer and painter Ludwig Pietsch,

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actually rushed to the front on his own initiative after the declaration of war.

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He planned to publish a war book,

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which he did in 1871,

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with the support of the crown prince's staff.

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Pietsch's book doesn't shy away from the horrors of war.

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Just a few days after the battle of [inaudible],

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he walked the battlefield looking for subjects to draw.

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"It was a swamp of blood and brains and entrails.

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The bursting projectile,

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had destroyed 10 men at once,

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tore away the legs of this one,

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half of the head of that one,

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the torso of that one.

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Splatter is the only word for it," [inaudible].

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