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Hi. I'm Jesse Alexander and thank you for supporting

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this companion episode of Glory & Defeat.

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Today, we're going to talk about Anton von Werner famous painting of

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the proclamation of the German Emperor on January 18th, 1871.

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In June 1872,

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the German Princes and Free Cities commission von Werner to paint a 4.3 by

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It's similar to the Zeughaus version since von Werner didn't have much time.

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He simply painted over a sketch that he had made for the Zeughaus version.

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But there are differences.

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War Minister Albrecht von Roon only appears in this version.

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He was left out of the other two because in

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1871 he was sick and didn't actually attend the ceremony.

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To squeeze them in, von Werner removed the handshake of generals [inaudible].

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This version can be seen today at the Bismarck museum in Germany.

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The 1913 Frankfort version of the painting was

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very similar to the Zeughaus and the [inaudible] versions.

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For many years, it hung in a high school auditorium in Frankfurt order,

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but it's considered lost since the end of World War II.

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Every German history textbook still shows a picture of the [inaudible] versions,

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but it's usually just for illustrative purposes.

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Anton von Werner Kaiserproklamation paintings are a prime example of how

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historical images are sources for the time and context of their production,

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not the events that they portray.

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There's always an artist or a sponsor with a specific intention,

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something that you can keep in mind when we use

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paintings or sketches to illustrate our episodes.

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Thanks again for supporting Glory & Defeat,

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and I'll see you next week.
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eight meter oil painting of the Kaiserproklamation for 20 thousand [inaudible] taller.

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In 1877, they presented the finished painting

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as an 80th birthday gift to Kaiser Wilhelm The First.

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The painting depicts the proclamation as von Werner might have experienced it,

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and he even included himself.

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This so-called palace version of the painting burned

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in 1945 in a World War II bombing rate,

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but there were actually three other versions of the work.

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In 1882, von Werner painted the Zeughaus version

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for the Prussian Army Hall of Fame in the Berlin Zeughaus, or arsenal.

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This version shows the event from the front since von Werner had to

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reduce the number of figures to fit the smaller width of the canvas.

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There are also differences from actual events.

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Bismarck is wearing white instead of the blue he really wore,

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and Helmuth von Moltke is beside Bismarck rather than behind him.

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The people in the image appear the age that they were in 1882 when it was

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painted and not in 1871 when the proclamation actually happened.

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The Zeughaus version has been missing since the end of World War II.

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The [inaudible] version is the most well-known and is the one

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associated with the historical image of the Imperial proclamation.

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The royal family commissioned it in 1885 as a gift for Bismarck 70th birthday.

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